Tuesday, March 1, 2011

[ironflame] ROBERT X. PATRIOT / EZH - Split-7" OUT NOW! => LISTEN!

After the ultra-limited luxurious hand-made collectors edition of the GERECHTIGKEITS LIGA EP  'Vom Nachteil geboren zu sein“, IRONFLAME is now proud to present the second volume in their RE-DOKUMENT SERIES:

         7"Single in gold, silver or green vinyl, hand-numbered & strictly limited to 111 copies each.
         special 6mm-spine colour cardboard jacket with metallic printer's colors
         incl. Poster, 2 postcards, 2 buttons, 3 stickers & Insert)
         comes in crystal clear original japanese protective vinyl sleeve with re-sealable flap
===   IRONFLAME [IF//RE002/S]

[A]   ROBERT X. PATRIOT: a collaborator of The Electric Hellfire Club, Boyd Rice and Warcom, ROBERT X. PATRIOT made quite a name for himself in the mid nineties by appearing on such cult samplers as 'How Terrorists Kill', 'Men and Mice' and 'Psychick Wolves ov Midgard'. Not to mention his own infamous and much sought-after 'Dogs Leg Rising' album, a rather tongue-in-cheek „tribute“ to the World-Serpent-Family, as such titles as 'Freya Aswynn's Basement', 'Hitler in Khakis', 'Ou est Klaus Nomi', or 'Vichy Toast Sunrise' clearly suggest.
  But the best kept secret about ROBERT X. PATRIOT probably is his long-burning passion for the synth pop of the early 80s: think Ultravox, Duran Duran and all the heroes of the Electronic New Wave movement. A genre he will be associated with forever after the release of this single… Then not only is 'Gold, Silver, Green' clearly destined to become an all-time hit, it is also and without exaggeration or self-indulgence a true HYMN which will soon find its place on every playlist of every party, every webradio and every podcast of the ever-growing Minimal-Synth- / Electronic-New-Wave scene!

LISTEN to 'Gold Silver Green': http://sn.im/25h4xh

[A]   EZH: known in the Hamburger underground of the late eighties as the editor of bad taste / nonPC / music fanzine “I.d.A.f.”, EZH has been active since the early nineties as a DJ for Electro, New Wave and Post-Industrial and made quite a stir in 2000 with his 9:30mins long technoid monster 'Slumber' (only available as a DJ-Promo at the time). Ironflame now releases a brand new single-edit of this track, remixed by none other than Berlin Italo-/Electro-/NewWave-eminence DJ Hanoben (cultheroes.com).
And by the way: the careful liner-notes reader will be surprised to discover which celebrity deserves credit for the lyrics and vocals of this dark techno/industrial hybrid  :)

LISTEN to 'Slumber': http://sn.im/25h5cx

Direct purchase via <order@ironflame.de> as well as from selected shops and mailorders
Wholesale requests welcome!


still available - few remaining copies of past releases:

- v/a: 'Statement 1961' - 2LP+7"EP+CD+Book
- à;GRUMH...: 'Unclean/Discipline (A tribute to Throbbing Gristle/Psychick TV)' - 7"EP+inserts
- Gerechtigkeits Liga: 'Vom Nachteil geboren zu sein' - 7"EP+inserts

T H I S   I S   N O   S P A M !  

Friday, September 3, 2010

HzCollective + Holy Smokes copresent: GREG DAVIS & BEN VIDA w/ Myceum & Jackfruit Experiment, 9/12

Event link for more details

Facebook Event page


The Tea Bazaar will specially open it's doors on Sunday the Twelfth, for a visit by a couple of the experimental music's finest, as they manipulate analog synths to pleasing effect. With special guests Myceum and Jackfruit Experiment.

Tickets available at http://www.holysmokesbooking.com/.

Greg Davis is a musician from Vermont who creates lush, textured soundscapes using a wide range of acoustic and analog instruments, as well as samples from field recordings.

Chicagoan Ben Vida is perhaps better known for his work with the bands Town & Country, Joan of Arc, and has written and recorded for years under the name 'Bird Show'.

:-: MYCEUM :-:
Gorgeous ambient sound sculptures by Mr. Scott Ritchie.

Members of The Grapefruit Experiment, Dzian!, Pinko Communoids, etc. offer up this variation on the theme (which is creating fascinating sounds in astounding ways).

Show Review: HzCollective members at Strange Matter

Kenny Yates, Wendy Hsu, and Carey Sargent played as Grapefruit Experiment (GFX) at Strange Matter on August 25, 2010, along with a number of other really fun bands. RVA magazine did a review of the show. Here's a highlight:

"For The Grapefruit Experiment, though, this was the desired effect, and it mingled well with the deliberately arrhythmic percussion and oscillating bursts of treated noise. It wasn't a conventionally musical set by any means, but nonetheless The Grapefruit Experiment gave a fascinating performance."

Read the entire article: http://rvamag.com/articles/full/8891/show-review-purple-rhinestone-eagle-the-catnip-dreams-etc

Friday, June 11, 2010

The Friction Brothers, KAMAMA, and Benjamin O’Brien

Hz Collective presents The Friction Brothers, KAMAMA, and Benjamin O’Brien

Saturday, June 26, 2010
The Bridge PAI
209 Monitcello Rd.
Charlottesville, VA

The Friction Brothers (Michael Colligan, Fred Lonberg-Holm and Michael Zerang) are perhaps the only dry-ice/cello/percussion trio in the visible world. Begun in 2005 to perform improvised works that explore their love of scraping, rubbing, hitting and freezing various objects to the point of vibration, they have appeared at a number of questionable venues in Chicago. While often sounding like electronic music, they make all their sounds mechanically. To produce these sounds each member has developed an expansive vocabulary of extended techniques. Zerang has raised the back scratcher to an essential component of the modern drummers stick collection. Colligan, warms up metal objects and the super cools them on a block of dry ice making them vibrate in the audible range. Lonberg-Holm’s grind tone remains an unexplainable phenomena by acousticians.

Although the trio is a relatively new group, the members have worked together extensively for over 15 years in a wide variety of settings from the seminal lower case 4tet Pillow to the internationally known free improvised jazz powerhouse Peter Broetzmann’s Chicago 10tet.
Their first CD was released by the Sort Of Records imprint Abstract On Black. They are currently working on a second release due out on the Flying Aspidistra label in June to coincide with their first North American tour.

Fred Lonberg-Holm currently lives in Chicago where he works with a
wide variety of musicians in as many situations as possible. Current
and ongoing projects include the Valentine Trio (with Jason Roebke and
Frank Rosaly), the Peter Brotzmann Chicago Tentet, Ken Vandermark’s
Territory Band, Frame Quartet and Vandermark 5, Joe Mcphee’s Survival
Unit III (with Michael Zerang), Friction Brothers (Colligan,
Lonberg-Holm and Zerang), The Boxhead Ensemble, Horses Ha (Janet Bean
and Jim Elkington), Flatlands Collective (w/Jorrit Dykstra), Tony
Malaby’s Cello Trio, Vox-Arcana, Sherpa, Keefe Jacksons Fast Citizen’s
as well as numeorous one off ad-hoc groups.
Improvisors he has worked with include Clare Cooper, Charlotte Hug,
Andrea Neumann, Shelly Hirsch, Carrie Shull, Carrie Biolo, Birgitte
Uhler, Rachel Wadham, Mary Halvorson, Joelle Leandre, Joanne Powers,
Zeena Parkins, Judy Dunaway, Lotte Anker as well as a number of guys.
He also leads a revolving cast large ensembles under the name
Lightbox Orchestra.
He has studied composition with Morton Feldman, Anthony Braxton,
Pauline Oliveros, Bunita Marcus and Noah Creshevsky and cello with
Orlando Cole and Ardyth Alton.

Michael Zerang was born in Chicago, Illinois and is a first generation
American of Assyrian decent. He has been a professional musician,
composer, and producer since 1976, focusing extensively on improvised
music, free jazz, contemporary composition, puppet theater,
experimental theater, and international musical forms. He has
collaborated extensively with contemporary theater, dance, and other
multidisciplinary forms and has received three Joseph Jefferson Awards
for Original Music Composition in Theater, in 1996, 1998, and 2000. He
has over sixty titles in his discography and has toured nationally and
internationally since 1981 with and ever-widening pool of
collaborators. He was the artistic director of the Link’s Hall
Performance Series from 1985-1989 where he produced over 300 concerts
of jazz, traditional ethnic folk music, electronic music, and other
forms of forward thinking music. He continued to produce concerts at
Cafe Urbus Orbis from 1994-1996, and at his own space, The Candlestick
Maker in Chicago’s Albany Park neighborhood, from 2001 – 2005. He has
taught as a guest artist at The School of the Art Institute of Chicago
in performance technique, sound design, and sound/music as it relates
to puppetry; rhythmic analysis for dancers at The Dance Center of
Columbia College, Northwestern University, and MoMing Dance and Arts
Center; courses in Composer – Choreographer Collaborations at
Northwestern University; music to children at The Jane Adams Hull
House. He has held workshops in improvisational music and percussion
technique and teaches private lessons in rhythmic analysis, music
composition, and percussion technique.

Michael Colligan uses dry ice as an instrument. He made the discovery
you could make sound with dry ice while working his first job at
Baskin Robbins as a scooper.
He has also played various homemade and traditional reed instruments.
Past and current projects include Math ( Mr. Quintron, Monotrona), The
Flying Luttenbachers (Weasel Walter, Fred Lonberg-Holm, Kurt Johnson),
Pillow ( Liz Payne, Ben Vida, Fred Lonberg-Holm), Corine (Kevin Drumm,
Matt Weston), Friction Brothers (Fred Lonberg-Holm, Michael Zerang),
and other fleeting groups. He has improvised with numerous people over
the years including Taku Sugimoto, Ken Vandermark, Rhodri Davies,
Hamid Drake, Frank Rosaly, John Butcher, Carrie Biolo, Jim O’Rourke,
Jeb Bishop, Phill Niblock, Radu Malfatti, Sean Meehan, Sarah
Washington, Jeff Parker, and many others. He was a host for the
Improvised Music Workshop at Myopic Books in Chicago for many years,
and currently resides in that city.

KAMAMA is Luca Marini (drums/percussion) and Audrey Chen (cello/voice/electronics)
kamama in cherokee means both elephant and butterfly. there is no overlap in meaning other than the supposed resemblance of the long trunk and flapping ears to the proboscis and wings of that insect. this duo loosely embodies elements of this kind of disparate pairing. chen and marini combine the raw energies resultant from and continuously growing out of their respective histories and experiences. since their first encounter early this year in 2010, they have been forming a new language which steadily deepens, evolves, converges and exposes their inherent similarities and striking differences. it is ecstatic music. it is contrary music. and at times, they depart completely from one another as two distinct creatures, but then are drawn back into the fold of an undeniable tenderness and comprehension.
— for sound go to: www.myspace.com/audreychen

AUDREY CHEN is a Chinese-American musician who was born into a family of material scientists, doctors and engineers, outside of Chicago in 1976. Parting ways with the family convention, she turned to the cello at age 8 and voice at 11. After years of classical and conservatory training in both instruments, with a resulting specialization in early and new music, she parted ways again in 2003 to begin new negotiations with sound in order to discover a more individually honest aesthetic.
Now, using the cello, voice and analog electronics, Chen’s work delves deeply into her own version of narrative and non-linear storytelling. A large component of her music is improvised and her approach to this is extremely personal and visceral. Her playing explores the combination and layering of a homemade analog synthesizer, preparations and traditional and extended techniques in both the voice and cello. She works to join these elements into a singular ecstatic personal language.

Recently, her primary focus has been her SOLO project but she is also involved in many various collaborations. Among musicians, she has worked with Phil Minton, Tetuzi Akiyama, Toshimaru Nakamura, Ko Ishikawa, Elliott Sharp, Aki Onda, Phill Niblock, Frederic Blondy, Jerome Noetinger, C. Spencer Yeh, Alessandro Bosetti, Mats Gustafsson, Mazen Kerbaj, Michael Zerang, Tatsuya Nakatani, Le Quan Ninh, Joe Mcphee, Susan Alcorn, Michele Doneda, Paolo Angeli, Gianni Gebbia, plus many more. Some current projects include: duos with Phil Minton, Luca Marini (kamama), Frederic Blondy, Robert van Heumen (abattoir), Katt Hernandez (Isabel), Nate Wooley (heave and shudder), and Id M Theft Able. Trio with Nate Wooley and C. Spencer Yeh. Plus three new quartet projects with Jeff Carey/Morten J. Olsen/Raed Yassin, Miya Masaoka/Hans Grusel/Kenta Nagai and also with Frederic Blondy/Michael Johnsen/Jerome Noetinger.

Chen has performed in Europe, Russia, Australia, New Zealand, China, Japan, Taiwan, Canada and the USA. She is currently based in Baltimore, MD USA but primarily maintains an active touring schedule throughout Europe.

LUCA MARINI (1982) is a German/Italian drummer who mostly grew up in France and is now based in New York (USA). After studying jazz and improvised music at various conservatories and music colleges in Europe and North America he developed his own language and approach to percussion while living in Berlin (D).

He performed and toured in Europe and North America playing improvised music, jazz, rock and electronic music with bands and artists like the GRIPI collective, SONIDO13, INEZEBA, Spyros Manesis trio, Nicolas Masson, Roberto Pianca, Tom Blancarte, Dario Fariello, Matan Gov Ari, Louise D.E. Jensen, Johannes Lauer, Raoul van der Weide, Wanja Slavin, Filippo Giuffré, Gael Navard, Natalio Sued etc…

Current bands include the duo HERBERT ECKARDT with Danish saxophonist Louise D.E. Jensen, the duo BLIN with Dutch guitarist Jasper Stadhouders, KAMAMA with Chinese-American cellist and vocalist Audrey Chen, CAVEX from Brooklyn, The LITTLE from Germany and TATUNE from France.

Other collaborations include works with Matt Meade, Kenny Warren, Tom Blancarte, Xavier Lopez, Vilijam Nybacka, John Stanesco, JMSU, Frans van der Hoeven etc …
Benjamin O'Brien

Benjamin O’Brien is a composer and performer. His compositions are
inspired by the polarity of chance and certainty that, although are
inherently antagonistic in principle, can be adeptly manipulated to
form a cohesive musical expression. Specifically, he is interested in
composing works which are finite with respect to the sound sources and
transformation procedures, but indeterminate in their performance of
such operations. Benjamin writes both acoustic and
electro-acoustic/computer music (Max/MSP, SuperCollider), and performs
regularly with Vanessa & Her Many Moons, League of Art Game Composers
(LAG), The Sexy Ultimatum All-Star Society, and Moby & The Dicks. His
compositions have been performed in the US, France, Italy, Scotland,
Portugal, and New Zealand.

Benjamin recently received his Masters of Arts in Music Composition
from Mills College. He studied composition and improvisation with Fred
Frith and Roscoe Mitchell, electro-acoustic/computer music with John
Bischoff and Chris Brown, and tonal and post-tonal theory with David

Benjamin earned a Bachelor of Arts in Mathematics from the University
of Virginia in May 2006, though his musical talents and passion were
present even then. As an undergraduate student, Benjamin explored jazz
guitar and improvisation with John D’Earth and Michael Rosensky, as
well as Post-Tonal orchestration and computer music with Ted Coffey.

In Fall 2010 Benjamin will begin course work at the University of
Florida for a Ph.D in Music Composition.

Wednesday, April 28, 2010

Free Speech for Richmond's May Day!

Richmond May Day Organizing Committee has sent you an invitation to sign the petition "Free Speech for Richmond's May Day!" on Change.org.

Click the link below to view the petition.